Tejumola olaniyan biography template

In Memoriam. In Memoriam: Tejumola Olaniyan, December 10, Related Articles. Leave a Reply Cancel reply. Latest News. History Diversity January 27, More than a quarter of the th U. Congress is non-White. He was currently serving as the editor-in-chief of the Journal of the African Literature Association. Olaniyan was the author and editor of many books.

His latest project, one he worked on painstakingly for many years, was published in Olaniyan is survived by his wife, Mojisola Olaniyan, who is the assistant dean and director of academic enhancement at the UW—Madison Law School, as well as his children Bolajoko and Olabimpe. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools.

Tejumola olaniyan biography template

Download as PDF Printable version. In other projects. Wikidata item. Nigerian academic — Early life [ edit ]. Career [ edit ]. Works [ edit ]. Terms [ edit ]. References [ edit ]. University of Wisconsin-Madison English Department. Retrieved Encyclopedia of Great Popular song recording. It is no wonder that he was beloved at home in Nigeria, where his passing has been widely mournedas well as the North American academy where he found an intellectual home and many, many places to intervene.

There are many other writers better placed than I to recall his days as an emerging scholar. I studied under, and then worked alongside Teju for nearly fifteen years. I teach in the Department of African Cultural Studies that is, in many ways, made in his image. The above concepts are some of the many he fashioned as he shaped the department and the field.

Some of the preliminary work for that project became other projects, such as his many articles and eventually an edited collection on political cartoons. I helped him build an online encyclopedia of African political cartoons. Drawing on Max Weber, but forging a conceptual paradigm all his own, and uniquely capable of expressing the aporias of contemporary Africa, Teju labored to show that modernity is a form of disenchantment in Africa, oppression that must be fought, while it is equally a reenchantment, a container holding the promise of overcoming oppression.

If he is right about accents, that the interstitial is better at dealing with, and surpassing the modern world, if it is postmodern in the best sense of what that term might mean, he is also right that without access to the means of thinking interstitially, the whole venture is very disenchanting.