Simonetta carr biography sample

These aren't just kid-friendly stories. While they are for children, each of the books presents the subject's life against their historical backdrop, explores the doctrinal issues they encountered and defended, and doesn't shy away from simonetta carrs biography sample of persecution and hardship. Carr means to educate children and build up their faith, not offer phony versions of ultra-pious people.

Christian Biographies for Young Readers as a series currently focuses on the early Church and the Reformation period, though more volumes are projected and may simonetta carr biography sample more recent figures. While most children will be able to read these, Carr never condscends to them. You won't find made-up dialogue, childish writing, or difficult concepts reduced to a shadow of their true meaning.

What you will find are extremely attractive volumes that will offer generations of Christian children the kind of nurture and examples they need to grow strong in the Lord. Learn more about our store location and hours. I definitely recommend this book to teach your children an overview of church history. Rating Required Select Rating 1 star worst 2 stars 3 stars average 4 stars 5 stars best.

Email Required. Review Subject Required. Comments Required. SKU: Publisher: Reformation Heritage Books. Pages: Binding: Hardcover. Current Stock:. Related Products Sale. Kuiper, B. The Church in History B. Out of stock. In writing history, especially for children, an author is always forced to decide what to include and what to leave out.

Can you give an example of one of your most difficult decisions in these regards? Plus, some have felt that this series introducing the stories behind the reformed confessions has been to dark already, so why push it with another death reference! You have chosen to have full illustrations in your book. Can you tell us what are the advantages and the challenges of this choice?

Since our intended audience for these books is somewhere between ages we felt that full illustrations were a must. I think Evan Hughes has done such a great job in helping kids connect with the stories. The only real disadvantage to full illustrations is the cost. Even with Evan working for very reasonable rates compared to industry standards the costs are quite significant since the print runs are relatively small.

I am personally grateful to the publishers for seeing this project through despite the heavy upfront costs and dubious prospects of fully recouping them. Your books introduce children to the Belgic Confession and the Heidelberg Catechism, telling the story behind those historical documents. This makes for an exciting read for many children who are raised in Reformed churches and are familiar with these documents.

Have you received any comments from families who have never read these works but are now discovering them through your books? We should. They need to be brought up knowing that there are some truths that are so precious they are worth fighting and even dying for. Once you talked about an idea of a Christian children's authors conference.

I think it's a fantastic idea because "iron sharpens iron," and if it is open to the general public we could cover many relevant subjects, including the importance of exposing children to good literature. I don't know if the idea will ever materialize, but what were you hoping to achieve with it? I am so thankful for the work of R. Each year our family checks out several hundred books from the library.

The number of good books on a myriad of topics and personalities never ceases to amaze me. I would love to see authors, church and school educators, pastors, parents and children etc. Authors would have the opportunity not only to share their ideas with the audience but also to receive input. Educators and parents would be introduced to relevant books and encouraged with creative ways to use them.

Maybe this could happen! What are your future plans as an author? I am also working on a devotional on the incarnation of Christ as well as a study guide on the Gospel of Mark which I hope to have published next year. I have few other partly or mostly completed manuscripts that I would like to move forward with, when time and resources permit.

Saturday, February 11, Striving for Quality. I am quite stubborn. It can be an advantage or a problem, so I have to keep it in check. So far, it has been mostly good. It has helped me to take the extra step when my body and soul were ready to give up. Sometimes, however, I have to evaluate those extra steps very carefully. Are they worth the effort and especially the cost?

I have done a similar re-evaluation a few days ago, when my illustrator raised his fees. It was a perfectly legitimate request. No illustrator of his caliber gets as little money as he does. First, I must explain the financial side and my arrangement with RHB. Most people are surprised when they find that I have a publisher but I pay for my own illustrations and photos.

The reason is simple. RHB is still a relatively small publisher, and the type and amount of photos and illustrations I have envisioned for these books is beyond most editorial budgets. Of course, there are large publishers who have the means to take on this type of projects, but initially they haven't shown any interest. When I proposed my first book John Calvin to publishers, one very frequent objection was the cost.

The first publisher I approached a rather large Christian publisher told me that for any company to consider this idea, it would have to be a small paperback book in black-and-white. That's why the illustrations in my first book are not in color. Eventually, they rejected the proposal even under those terms. Other publishers made similar comments.

One told me that I could not choose my own illustrator, and that they never pay much for illustrations anyhow.

Simonetta carr biography sample

I don't know what thoughts inspired RHB to publish my books in color with a hard cover and an impeccable layout, but they did, and I am grateful for it. By contract, I am paying all expenses related to artwork and photos. Thankfully, they pay upfront and reimburse themselves from my royalties, otherwise I could never afford it. There are, as I said, some Christian publishers who have the means to invest in high-cost productions, but they have to believe they will get appropriate returns.

It has to make marketing sense. Again, at the time of my first proposal, a publisher told me that single biographies for children would never sell. A few others concurred. No explanation was given. They said it was just something they had experienced in the past. On the other hand, non-Christian biographies are selling fairly well.

On Martin Luther King Jr. On most evenings, I teach Italian outside the home — sometimes at the Italian Cultural Center in San Diego, and sometimes in private classes. I come back around nine. So when do I write? After a busy and often challenging day, cuddling up with a book on the Reformation can be very inspiring. Then a lot of the actual writing is done as I go.

I hate to get stuck in front of a computer screen with nothing to say, so when that happens, I take that thought with me while I wash the dishes or drive to the store, and eventually the sentences start to take shape in my mind. Then I just run back to the computer to write them down. CR : How did you get connected with the illustrator who does such lovely work?

SC : Matt Abraxas is the brother of my pastor [Rev. Michael Brown]! Initially, I had a lot of problems finding a good illustrator for my books. My first illustrator decided not to continue after the first book he was just helping me to get started. The good problem is that he set a very high standard with his work, so when he quit I had to embark on a mad search for a top quality artist who was willing to be seriously underpaid.

I found a few people, but then something always went wrong — there were misunderstandings, or they changed their minds at the last minute…. I am not exaggerating when I say that my simonetta carr biography sample almost gave me the boot. He was seriously wondering if I could ever work with an illustrator. I finally found someone for the second book but, almost immediately after we hired him, my pastor mentioned very casually that his brother was an artist.

After I saw his work and exchanged a few emails with him I knew immediately that he was perfect for the job! SC : In my case, yes.