Nahid akhtar biography sample

She was very popular in Pakistan. She was married with journalist Asif Ali Pota in the mid 80s and then she left the film scene. We're doing our best to make sure our content is useful, accurate and safe. If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.

Forgot your password? Retrieve it. Who is Naheed Akhtar?

Nahid akhtar biography sample

Ordinary girl born in Multan who was very fond of singing and because of this passion she reached Radio Pakistan Multan and started her artistic journey from the radio. Because of her excellent voice and maturity, the musicians kept giving her a chance. And she stayed connected to the radio for two years. She has 3 sisters and 4 brothers. A sister of hers, Hameeda Akhtarwas also a singer.

She was first discovered for films in the mids by veteran music director M. Ashraf who pursued her to sing in films. She had no well-known person as ustad teacher to train her musically but music director M. Ashraf played a key role in grooming her talent. Her inaugural film "Nanha Farishta" was released in and in the same year she sang songs in film Shama Initially it was said in the film circles that she was introduced to fill the vacuum of Runa Laila who had migrated to Bangladesh.

But later people realized that she had her own original singing style. She was active in the Pakistani film industry all the way through the s. Nahid left singing in Later, she married a journalist Asif Ali Pota in Both had a daughter and a son together. Pota died of cardiac arrest in Naheed Akhtar made an appearance on stage inafter repeated requests of the management of a TV show, [ 5 ] where active and popular singers like Shabnam Majeed and Saima Jahan sang her songs to pay tribute to her.

A list of Nahid's popular songs includes: [ 1 ]. Contents move to sidebar hide. Article Talk. Naheed Akhtar — Pakistani Film Singers Nahid Akhtar remained an unavoidable part of the addresses of almost all Pakistani films between the mid to the 80 late. In the same year,Nahid became the cynosure of all eyes and lenses. Her stylistic mastery and trade marked television appearances continued through the s.

Interestingly enough, every aspect of her life had changed.