Alain robert quotes in the awakening

They were troubled and feverish hours, disturbed with dreams that were intangible, that eluded her, leaving only an impression upon her half-awakened senses of something unattainable. She was up and dressed in the cool of the early morning. The air was invigorating and steadied somewhat her faculties. However, she was not seeking refreshment or help from any source, either external or from within.

She was blindly following whatever impulse moved her, as if she had placed herself in alien hands for direction, and freed her soul of responsibility. Shortly after this passage, Edna sends for Robert. It is the first time she has ever done so. Is it just us or is having an irresponsible soul a dangerous road to go down? Quote 1. Chapter 6 Summary.

Life, Consciousness, and Existence. Read it in the Book: Chapter 6. Quote 2. Chapter 11 Summary. However, after Robert pretends to go away on the business trip, Edna loses interest in everything. The narrator explains that she has lost interest not only in herself but also in everything around her. Mademoiselle Reisz and Edna are engaged in a serious conversation about music.

Mademoiselle is talking about the art and the artistic work. She says that an artist must be bold enough to speak their mind. It could be an encouragement to Edna to take a bold step to become independent. She says a wedding is one of the most lamentable spectacles on earth.

Alain robert quotes in the awakening

They talk about her mental condition and Leonce explains how she is losing interest in life, and marriage ceremonies. Mademoiselle Reisz and Edna are talking about life. Edna reveals that she is going to leave the grand mansion of her husband to live somewhere else on her own, at Pigeon House. These are her feelings that the situation would adjust itself.

However, she is determined that she would live an independent life away from her husband. These lines appear in the end of the novel where Edna is enjoying the solitude at sea and keeps swimming further. These lines have always been presented as a mystery in literature. Edna is heartbroken when Robert leaves her again. She was holding the back of her chair with one hand; her loose sleeve had slipped almost to the shoulder of her uplifted arm.

Turning, she thrust her face, steaming and wet, into the bend of her arm, and she went on crying there, not caring any longer to dry her face, her eyes, her arms. She could not have told why she was crying. Such experiences as the foregoing were not uncommon in her married life. She tottered up the steps, clutching feebly at the post before passing into the house.

It at once assumed the intimate character of a home, while she herself invested it with a charm which it reflected like a warm glow. There was with her a feeling of having descended in the social scale, with a corresponding sense of having risen in the spiritual. Every step which she took toward relieving herself from obligations added to her strength and expansion as an individual.

She began to look with her own eyes; to see and to apprehend the deeper undercurrents of life. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it.

But her small boot heel did not make an indenture, not a mark upon the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear. But the voices were not soothing that came to her from the darkness and the sky above and the stars.

They jeered and sounded mournful notes without promise, devoid even of hope.